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Jehangiri Mahal: This is the first notable building as one enters through the Amar Singh Gate and emerges out of the passage. Situated north of the gate at the end of a spacious lawn, the Jehangir's palace was built by Akbar as a residence for his son Jehangir. The largest private residence in the fort, it is a blend of Hindu and Central Asian architectural styles. The Mahal is reached through an impressive gateway and its inner courtyard consists of a two storey facade of beautiful halls, profuse carvings on stone, heavy brackets exquisitely carved with animal and floral motifs, piers and cross beams with remnants of the rich gilded decorations which once covered much of the structure. There is a verandah with slender pillars on the eastern front facing the river front. This is the most important building remaining from Akbars period as his successors demolished several of Akbar's red sand structures replacing them with marble one's. To the right of Jahangiri Mahal is a simple palace of Akbar's favourite queen Jodha Bai. Khas Mahal: Built entirely of marble by Shah Jahan in 1637, the Khas Mahal or the Private Palace demonstrates distinctive Islamic-Persian features. The enclosure has three pavilions overlooking the Yamuna, with a fountain opposite the central pavilion. The central pavilion an airy edifice, used by the emperor as a sleeping chamber has three arches on each side, five in front, and two turrets rising out of the roof. It overlooks the Angoori Bagh (grape garden). The Mahal is flanked by two golden (copper) pavilions, one with white marble and was supposedly decorated with gold leaf, while the other is made with red stone, which were meant for the prominent ladies of the harem. The Khaas Mahal provides the most successful example of painting on a white marble surface. On the three sides of the Grape garden are residential
quarters of women. Diwani-i-Khas: Diwan-I-Khas (hall of private audience) built by Shahjahan in 1636–37 was used to receive kings, dignitaries and ambassadors. It is a three sided pavilion with a terrace of fine proportions. Outside the structure is the marble throne terrace, where a pair of thrones were kept. The black throne belonged to Jehangir. Presently, entry is not allowed inside Diwan-i-Khas.
Macchhi Bhawan: Opposite to the Diwan-i-Khas is the Macchhi Bhawan, a grand enclosure meant for harem functions. The emperor sat on the white marble platform of the Diwani-i-Khas facing this courtyard. It once contained pools and marble fountains which were carried off by Jat Raja Surajmal to his palace at Deeg. On another side stands a small mosque built for Shahjahan by his son Aurangzeb. Hammam-i-Shahi: To the right of Diwan-i-khas is the Hammam-i-Shahi or the Shah Burj. It is an airy apartment, attached to the residential quarters which was used as a summer retreat. Diwan-i-Am: The Hall of Public Audiences, made of red sandstone, was constructed by Shahjahan. It is here the emperor met officials and commoners and listened to the petitioners. The women of the palace could watch the court without being seen by others from the pavilion through jali (lattice) screens. The open sided, cusped arched hall (64x23m) built of plaster on red stone, is very impressive. The throne alcove of richly decorated white marble completed after 7 years work in 1634 was used to house the famous Peacock Throne, later shifted to Delhi by Aurangazeb and was finally carried away to Iran. The Nagina Masjid or the gem mosque is a private mosque raised by Shah Jahan with typical cusped arches for ladies of the court. There is Mina bazar for the royal ladies to buy things from the marble balcony beneath the Nagina Masjid. The Moti Masjid near the Nagina Masjid is a perfectly proportioned pearl mosque built in white marble. This grand mosque has three domes in white marble raising their heads over the red sandstone wall. Visit : 7- 6 PM. |
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