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Inside the large temple courtyard has a pavilion, sanctuary, a Nandi, a pillared hall and an assembly hall (mandapas), and many sub-shrines. There is a flight of steps leading to a pillared pavilion.The pavilion is a 16 th century pavilion, facing the main temple. Fronted by a tall lamp column, it has a 6 m long granite Nandi carved out of a single block of granite 6 m long. It is considered as the third largest in the country. The pavilion has slender columns with carvings. There are two other flights of steps on the north and south between the front porch and the main shrine on either sides. The main temple, constructed of granite, consists of a square linga sanctuary adjoining an antechamber and a long pillared hallway on the east, followed by the ardhamandapa or half hall. The base of this sanctuary is 46 square meters. Above it, is the pyramidical tower rises to a height of about 66m. It's apex is exactly one third of the size of the base. The tower has 13 storeys with pilastered walls, parapets. The walls of the antechamber are triple storeyed. The temple's pilastered walls are raised on high basement decorated with yalis and makaras and also covered with inscriptions such as the origins, construction etc. The north and south doorways can be reached by steps flanked by balustrades with curved tops and figural side panels. The long hall is partly completed which has been roughly adjoined to the half hall. The eastern doorway is flanked by guardian figures and inside, the walls are decorated with 18th century Maratha portraits. The sanctuary is flanked by guardians and the niche projections at either side are fully modelled figures, mostly figures of Shiva. The famous are Bhikshtanamurti, Natesha, Harihara and Ardhanarishwara. The sanctuary of the main temple is dominated by a black shivalingam called Adavallan , 'the one who can dance well', a reference to Shiva as Nataraja (the King of Dance) elevated on a circular pedestal. But the lingam can be seen only during puja ceremonies (8 & 11 am, noon & 7.30 pm). The surrounding is the garbha griha, a passageway on two levels is divided into two chambers. In the lower passageway contains a large dancing Shiva, portraits of the royals, deities, celestials and mural paintings in two layers adorn the walls and ceiling. More than 81 miniature dancers in different postures, are sculpted on the basement of the upper passageway. Outside, the walls of the courtyard, there are lined with collonnaded passageways. Northern wall passageway is considered as the longest in India. The western wall passageway is behind the temple, which contains 108 lingams from Varanasi and panels from the Maratha period. At the centre bears a small shrine dedicated to Varuna, next to an image of the goddess Durga. In the temple complex, besides the main temple is a south facing Chandeshwara Shrine. Even though, similar to main temple it is small in size and the tower is crowned with an octagonal roof. To the north west is the Subramanya Shrine which has a base finely decorated with sculptures of dancers some standing on pots and musicians. On the hall walls can be seen Ganapati and Durga and stone windows with geometric designs. The three storeyed tower is topped with a hexagonal roof. The Subrahmanga Shrine is entered on the east by a porch with side steps. The long hall that extends east is a Maratha extension. Another Maratha addition to the temple is the hall in front of the Bhrihadnayaki Shrine. This can be approached through a porch on the south with piers displaying yalis and colonettes. The paintings on the ceiling inside illustrated Shaiva legends. Nearyby is the south facing Natesha Shrine dates from the 17 C. The large temple water tank - Shiaganga Tank is contained within the ramparts that extend west of the Brihadishvara temple. A small Archeological Museum is located on the south
side of the temple complex. It houses the collection of sculptures, photos
detailing restoration work to the temple and displays about the Cholas.
Opens daily 9 am - 1pm & 4-6 pm. Entry is free. |
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